Daemons of their time

Historia kołem się toczy a każda dostatecznie zaawansowana technologia jest magią

Your long strides whirl up dust. The gray particles drift slowly to the ground. This windless world is a freeze frame. In front of us the plain stretches to the horizon, behind us looms the quiet shadow of the mountain. We’re surrounded by stumps of trees—they makes us anxious even though they’re centuries old and were allowed to wither, to die for real. In young forests we’d need to stay alert. Here nothing moves, no branch will suddenly strike us down. Even the heavy clouds seem to be glued to the heaven.

 

‘Why are you walking with me?’ Your question drips with anger.

‘Because I’m curious of what you are.’

‘I’m human!’

You are lying. Perhaps without even knowing it, but you’re not telling the truth. I understand riddles. I recognize the correct answers even if I don’t know them. When you answer my question, my puzzle, I know, with the wisdom of a centuries-old rusalka, that it is not the correct answer.

You are not human. Not now.

Once? At one time I was human too. A long time ago when the world was larger. When travelling by cart to the nearest city took a whole day. When anything farther had no meaning. Somewhere there lived kings and emperors. Great markets stood in huge squares I couldn’t even imagine, just as I couldn’t comprehend the sea. I was born in a world in which we all had mortal bodies. There was no Internet, not to mention its successor—Okean, filled with human consciousness—there were no dust-like t-hex scattered across Earth and no storms with aquamarine lightning. Many things have changed since the day I was born and even more since the day I died.

‘No, you’re not,’ I reply.

You press ahead on a road that hasn’t been used for centuries. You seem like you know where you’re going, but I think you really don’t. At the end of that road there’s a city. I’ve never been there but one of the clouders told me about it when he stumbled upon the pitiful remnants of what used to be my brook. He said that there were people there and that he looked after them. For half a century he has redirected the worst storms and brought ordinary rain. One that leaves regular puddles. But do you know about that?

All of a sudden you swing around and roar at me:

‘Stop it!’

You look at me. Your face is beautiful. In my days people weren’t so beautiful and so I was made prettier through death—it transformed my body. But telling you this won’t quench your rage.

‘Why are you doing this to me? Why are you taunting me? What kind of experiment is this?’

I’ve already told you four times that I’m not an Okeanian. That my green hair is not configured t-hex and that my knowledge does not come from the wisdom of the billions of databases. But you don’t believe me. It’s easier to think of me as a cruel post-human who toys with you. You who are a human in a mortal body, a real human, created by the evolution and not how he designed himself. It’s easier than to acknowledge that I’m a water sprite, a creature from beliefs you disowned long before the climate catastrophe destroyed the world; before the Wave flooded the globe and the aquamarine lightning; before you created the Okean—the virtual asylum where humans sought escape for days, hours, years, until many of you abandoned your mortal bodies and stayed your entire grown up lives.

‘It isn’t the experiment,’ I repeat. ‘I am not who you take me for.’

You snort, turn and push on with even greater determination and I still don’t know what you are.

I need to learn the answer. It’s funny because it used to be me who created riddles and captured those who couldn’t solve them.

We leave prints on the finely powdered ground. Until the wind comes, they’ll be visible to anyone. Which means no one at all— ordinary humans rarely leave their homes in the constellations, enclosed as they are in their aquariums, and the Okeanians appear wherever they want. I sometimes see them in the wasteland. One moment there’s nothing there, the next they come out of a swirl of t-hex dust, so human looking they are indistinguishable from real humans

[…]

Eurasian Monsters
Wydawca: Fox Spirit
Premiera: 24 grudnia 2020
ISBN: 9781910462317

Spis treści

K.A. Teryna
   Morpheus
   tłumaczenie: Alex Shvartsman

Marta Magdalena Lasik
   Daemons of their time
   tłumaczenie: Piotr Świetlik

Yevhen Lyr
   Sleepless in Enerhodar

Karina Shainyan
   Bagatazh
   tłumaczenie: Mike Olivson

Vlad Arenev
   Rapunzel
   tłumaczenie: Mike Olivson

Haralambi Markov
   Nine Tongues Tell Of

Maria Galina
   The Visit
   tłumaczenie: Mike Olivson

Alex Shvartsman
   A Thousand Cuts

Daryna Stremetska
   The Whitest Linen
   tłumaczenie: Maksym Bakalov

Shawn Basey
   Lysa Hora

Karolina Fedyk
   Our Lady of Carrion Crows

Bogi Takács
   Veruska and the Lúdvérc

Eldar Sattarov
   Mountain Maid

Kat Hutchson
   The Housekeeper

Natalia Osoianu
   The Serpent

Alexander Bachilo
   This is Moscow, Old Man!
   tłumaczenie: Mike Olivson

Ekaterina Sedia
   Sleeping Beauty of Elista

Eurasian Monsters
Wydawca: Fox Spirit
Premiera: 24 grudnia 2020
ISBN: 9781910462317

Spis treści

K.A. Teryna
   Morpheus
   tłumaczenie: Alex Shvartsman

Marta Magdalena Lasik
   Daemons of their time
   tłumaczenie: Piotr Świetlik

Yevhen Lyr
   Sleepless in Enerhodar

Karina Shainyan
   Bagatazh
   tłumaczenie: Mike Olivson

Vlad Arenev
   Rapunzel
   tłumaczenie: Mike Olivson

Haralambi Markov
   Nine Tongues Tell Of

Maria Galina
   The Visit
   tłumaczenie: Mike Olivson

Alex Shvartsman
   A Thousand Cuts

Daryna Stremetska
   The Whitest Linen
   tłumaczenie: Maksym Bakalov

Shawn Basey
   Lysa Hora

Karolina Fedyk
   Our Lady of Carrion Crows

Bogi Takács
   Veruska and the Lúdvérc

Eldar Sattarov
   Mountain Maid

Kat Hutchson
   The Housekeeper

Natalia Osoianu
   The Serpent

Alexander Bachilo
   This is Moscow, Old Man!
   tłumaczenie: Mike Olivson

Ekaterina Sedia
   Sleeping Beauty of Elista

Your long strides whirl up dust. The gray particles drift slowly to the ground. This windless world is a freeze frame. In front of us the plain stretches to the horizon, behind us looms the quiet shadow of the mountain. We’re surrounded by stumps of trees—they makes us anxious even though they’re centuries old and were allowed to wither, to die for real. In young forests we’d need to stay alert. Here nothing moves, no branch will suddenly strike us down. Even the heavy clouds seem to be glued to the heaven.

‘Why are you walking with me?’ Your question drips with anger.

‘Because I’m curious of what you are.’

‘I’m human!’

You are lying. Perhaps without even knowing it, but you’re not telling the truth. I understand riddles. I recognize the correct answers even if I don’t know them. When you answer my question, my puzzle, I know, with the wisdom of a centuries-old rusalka, that it is not the correct answer.

You are not human. Not now.

Once? At one time I was human too. A long time ago when the world was larger. When travelling by cart to the nearest city took a whole day. When anything farther had no meaning. Somewhere there lived kings and emperors. Great markets stood in huge squares I couldn’t even imagine, just as I couldn’t comprehend the sea. I was born in a world in which we all had mortal bodies. There was no Internet, not to mention its successor—Okean, filled with human consciousness—there were no dust-like t-hex scattered across Earth and no storms with aquamarine lightning. Many things have changed since the day I was born and even more since the day I died.

‘No, you’re not,’ I reply.

You press ahead on a road that hasn’t been used for centuries. You seem like you know where you’re going, but I think you really don’t. At the end of that road there’s a city. I’ve never been there but one of the clouders told me about it when he stumbled upon the pitiful remnants of what used to be my brook. He said that there were people there and that he looked after them. For half a century he has redirected the worst storms and brought ordinary rain. One that leaves regular puddles. But do you know about that?

All of a sudden you swing around and roar at me:

‘Stop it!’

You look at me. Your face is beautiful. In my days people weren’t so beautiful and so I was made prettier through death—it transformed my body. But telling you this won’t quench your rage.

‘Why are you doing this to me? Why are you taunting me? What kind of experiment is this?’

I’ve already told you four times that I’m not an Okeanian. That my green hair is not configured t-hex and that my knowledge does not come from the wisdom of the billions of databases. But you don’t believe me. It’s easier to think of me as a cruel post-human who toys with you. You who are a human in a mortal body, a real human, created by the evolution and not how he designed himself. It’s easier than to acknowledge that I’m a water sprite, a creature from beliefs you disowned long before the climate catastrophe destroyed the world; before the Wave flooded the globe and the aquamarine lightning; before you created the Okean—the virtual asylum where humans sought escape for days, hours, years, until many of you abandoned your mortal bodies and stayed your entire grown up lives.

‘It isn’t the experiment,’ I repeat. ‘I am not who you take me for.’

You snort, turn and push on with even greater determination and I still don’t know what you are.

I need to learn the answer. It’s funny because it used to be me who created riddles and captured those who couldn’t solve them.

We leave prints on the finely powdered ground. Until the wind comes, they’ll be visible to anyone. Which means no one at all— ordinary humans rarely leave their homes in the constellations, enclosed as they are in their aquariums, and the Okeanians appear wherever they want. I sometimes see them in the wasteland. One moment there’s nothing there, the next they come out of a swirl of t-hex dust, so human looking they are indistinguishable from real humans

[…]